July 21st, 2011
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Italy boosts film noir with the compelling, if not wholly satisfying, “The Double Hour”
by Colin Boyd
It doesn’t take much for a movie to be considered film noir anymore. Obviously, black-and-white films don’t come around every day, and although that’s not technically necessary for the definition, films we consider noir are commonly drenched in shadows, the kind that are most effective in the contrast of black-and-white—in movies like Double Indemnity, Touch of Evil, The Maltese Falcon.…
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